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uniquely brings together history and culture studies to expose the dark obsessions that have helped create our national identity. Enter your email address to subscribe to That's What She Read and receive notifications of new posts by email. Paperback; 9781481308823; Published: July 2018; $34.99. Historian W. Scott Poole distinguishes himself by focusing on the American context, providing a history told through the personified expressions of our anxieties and fears. I was thrilled to find a book that went with that mindset. Continue to start your free trial. Whether your interest is literature, American history, popular culture, race and ethnicity, women's studies, or religion, you would be happy reading this book. Not only that, but Sandra Petrocelli, the State prosecutor, is a very good lawyer. I seem to be having bad luck with books lately, but the writing style just didnt connect with me. All rights reserved. Renews March 11, 2023 Here's where you'll find important quotesfrom Monsterand explanations of them. as uncivilized people and even believed them to be monsters. Save over 50% with a SparkNotes PLUS Annual Plan! Members will be prompted to log in or create an account to redeem their group membership. Monster was adapted into a movie of the same name in 2018. (Christopher James Blythe, Florida State University, (John W. Morehead, editor, www.TheoFantastique.com). This exciting work blends the study of horror films, comic books, religious texts and newspaper accounts of "satanic panics" into a highly readable analysis of the concept of the devil in American cultural history. ", In 2014 he published _Vampira: Dark Goddess of Horror_ that looked at the life of 1950s horror host Maila Nurmi (a.k.a. I loved this book. Steves lawyer, Kathy OBrien, urges Steve to take his situation seriously because this crime could put him in jail for twenty years or more. 1945-1960 2.) Purchasing Steve is about to stand trial for felony homicide. Not only do they continue to live in our midst, but, as historian Scott Poole shows, these monsters are an important part of our pasta hideous obsession America cannot seem to escape. Get help and learn more about the design. The two defense counsels, OBrien and Briggs, establish that the witnesses are testifying for the State in return for reduced sentences. Salvatore Zinzi, a prisoner at the Rikers Island jail, testifies that another prisoner, Wendell Bolden, told him about the drugstore robbery. Salem witches, frontier wilderness beasts, freak show oddities, alien invasions, Freddie Krueger. She identifies James King as being one of the two young men. Classic Gratitude Poems Joy Harjo, Mary Oliver, MORE. Sometimes it can end up there. Here's where you'll find analysis of the main themes, motifs, and symbols in Monster. If one would like to get into the spirit of monster mania during Halloween, no better place to begin is with the books that generated monster madness: Dracula, Frankenstein, Dr. Jekyll and Mr. Hyde, The Picture of Dorian Gray, and The Island of Dr. Moreau. He is the author of several books, including a biography of H.P Lovecraft, which became a Bram Stoker award finalist, and Wasteland: The Great War and the Origins of Modern Horror. 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He rightly frets over our technology which ineffectively obscures the divine and so Americans create vampire stories which take Gods place (59): Americans are still attempting to apprehend mystery in the midst of supernatural confusion (11). The old newspaper adage still holds true today. If specters of the past still haunt our present, they may yet invade our future. Poole has set the bar ridiculously high for any future research exploring the locus of historical and cultural studies, particularly as it pertains to the horrific. challenges, enlightens, and, quite honestly, frightens in its prescient view of American history, as well as the seeming ubiquity of the monsters of our past and probable future. The guards take the bleeding dude away. Steves parents are glad he is home, but the distance between Steve and his father is growing. Please wait while we process your payment. Imprint: Baylor University Press. Here we not only meet such monsters but also discover America's cultural monstrosity. Associated with war, cleverness, and wit, it is no surprise that she favors Odysseus. It was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist. The man immediately begins screaming about something hidden in the mist that is attacking and killing people. Monsters in America does a phenomenal job examining American history through the lens of monsters and the monstrous. Wed love to have you back! In a nutshell, monsters for Poole are metaphors / stand-ins for whoever is loathed or feared in a certain historical context. Dorothy Sayers Where to Start with her Mystery Novels? Instead of representing the "us vs them" mentality, monsters are much closer so home: they are us. OBrien reminds jurors of reasonable doubt and states firmly that Steves guilt has not been proven. session with vampires and zombies, Poole plots America's past through its fears in this intriguing sociocultural history. You can view our. He is at home with his parents and his brother Jerry. Novelist Sheri Holman calls the book "a subversive masterpiece.". Pooles excoriation of one homogenous grouping belies the essence of the problem which is our human nature. for a group? The atheist taught that inflicting suffering while enjoying the process is human nature. Get Annual Plans at a discount when you buy 2 or more! Detectives Karyl and Williams describe their arrival at the crime scene. While some may believe that there was no conflict between the settlers and the natives, and that, they just coexisted peacefully. But a third interpretive option exists. In the follow-up to his first book. In some ways, this felt more like a book about racism and sexism on celluloid and in politics than a book about "Monsters." Produced by Johns Hopkins University Press in collaboration with The Sheridan Libraries. [Pooles] book is sufficiently clear and engaging for general readers to enjoy and would make a worthwhile addition to undergraduate course in American history or culture. Separated by significant eras in American history, a reader gets a clear picture of how the definition of a monster changes depending on the cultural and political events of an era. She coaches Steve on how to answer questions on the witness stand. I'm just saying that throughout the country's history, there have been some pretty dark times. It is a frightening world we live in, yet the horrific things in our literature and culture play a vital part in helping us reach some understanding, and even some peace about them. Historian W. Scott Poole distinguishes himself by focusing on the American context, providing a history told through the personified expressions of our anxieties and fears. We can anticipate either alien salvation or judgment from beyond. I had trouble finding a consistent narrative in a book that talked about sea monsters, Bigfoot, Universal Movie Monsters, Freak-shows, and several other topics, and never spending enough time on any of them to feel like I was more informed after reading. Poole has set the bar ridiculously high for any future research exploring the locus of historical and cultural studies, particularly as it pertains to the horrific. Monsters In America challenges, enlightens, and, quite honestly, frightens in its prescient view of American history, as well as the seeming ubiquity of the monsters of our past and probable future. but on the whole, an engaging and thought provoking read. American history from the past to the present. new monsters appear as American society evolves, paralleling fluctuating challenges to the cultural status quo. Hardback: Baylor University Press, 2011. Evenhandedness exists in the books last sentence suggesting that liberal visions of social justice could create something worse (228). An interesting and accessible overview of the link between American history and the monsters that fascinate them. This is an amazing book. Consulting newspaper accounts, archival materials, personal papers, comic books, films, and oral histories, Poole adroitly illustrates how the creation of the monstrous"other"not only reflects society's fears but shapes actual historical behavior and becomes a cultural reminder of inhuman acts.Monsters in America is now online at www.monstersinamerica.com. Harmon explains that in his cell. IE- minorities = what we are anxious about / obsessed with = the monstrous = monsters. Christopher Columbus came to the Americas searching for gold, slaves, and monsters. He states that he knows James King and Osvaldo Cruz, but only casually. When social conservatives oppose something, like - say -. Judging from the verbiage, Pooles sub-text for the American monster is conservative-Christian-white-heterosexual-Republican. It is super nasty, and blood ends up everywhere. New York: Theatre Communications Group, 2013. Edna St. Vincent Millay Five of our Favorite Poems ! on 2-49 accounts, Save 30% Asa Briggs, Kings attorney, establishes that the police have no fingerprint evidence. There he teaches courses on monsters, pop culture, and American history. She continues to assert that Steve served as the lookout for the robbery and is as guilty as the others. If you view everything that has happened in the last ten thousand years as an atrocity committed by (American) White Anglo-Saxon Protestant men against the wide-eyed, helpless, innocent (and rather stupid) non-male/non-white world in a concerted race (or gender where convenient) war and stolidly ignore all contrary evidence, the world is full of monsters. Anything outside the norm brought about the birth of a monster, which can differ depending on the social, economic, cultural, or political influences of the time. Michelangelo Biographies Best Books on the Renaissance Artist! $18.74/subscription + tax, Save 25% What is it that rumbles in the American unconscious that relates to the figures we see on the screen. Poole brings to life American horror stories by framing them within folk belief, religion, and popular culture, broadly unraveling the idea of the monster. Use up and down arrows to review and enter to select. After a minute elapses from the time David, Billy and Brent enter the store, a man, Jeff Miller, a local townsperson, flies into the market, bloodied and frantic.